Can We Fall in Love Again Can We Fall in Love Again Music Video
I've never paid much attention to music. The affect on my life has e'er been small … until Vocaloid.
I never had a personal "soundtrack," similar many people talk about. Growing up, I rarely purchased CDs, didn't (and however don't) use Spotify, and thought most pop songs, regardless of genre, were irritating and distracting. Information technology wasn't for desire of trying, either. I went to classical concerts to see if that was my matter. They were impressive, moving, and enjoyable. But I forgot them the second I left the venue. I haven't tuned the radio to whatsoever station in any car I've endemic since I was about 20.
I but didn't care.
It's non that I was a joyless philistine, I just never connected with music in the aforementioned way I did with movies and books. And technology. Applied science has never been just a chore for me, it's a passion. Knowing that, it shouldn't surprising anyone that tech eventually helped me discover music I truly honey.
I had no thought how much it would change my life.
The day I heard Vocaloid
"It'south awful," my friend said, wrinkling his nose as he watched a music video prune on my phone. "But look how much fun the audience is having," I laughed. He wasn't amused, and asked for it to stop. I looked down as I closed the app, ashamed. I didn't think it was awful. It was unlike anything I'd seen or heard earlier, and I couldn't stop thinking most information technology.
The video was this live recording of Hatsune Miku singing Supercell'southward World is Mine, played to a packed audience of glow stick waving fans, all singing along to the words. It popped up in my Twitter feed some days before, likely as a jokey example of Japanese eccentricity. At kickoff, I was fascinated past the tech. To me, at that time at least, I was witnessing a singing hologram — a virtual entertainer right out of science fiction, and a glimpse of an astonishing hereafter world. I needed to discover out more.
For the uninitiated, Hatsune Miku is a Vocaloid, a vocalisation synthesis software bundle for musicians to produce songs using engineering from Yamaha, and it has been around since 2003. When I first heard about it, I spent hours reading about Vocaloid, initially fooling myself it was professional person curiosity; but all the time falling more than in love with the concept of Hatsune Miku, the fandom surrounding her, and more surprisingly for me, the music itself.
The software that gives Miku life
The engineering science is crazy. When we think about computers "speaking" it's commonly in a monotone and soulless way. When Hatsune Miku sings, there is emotion, feeling, and a digital beating heart. She doesn't be, merely the people who created Miku and the songs she sings are real, and it's their passion we feel. You build your vocal using the Vocaloid editing platform, which is surprisingly elementary to utilize, yet incredibly powerful, provided y'all have some degree of musical agreement.
"Information technology'due south very important to Saki-chan to properly exhale life into Miku."
With a melody and some lyrics, the Vocaloid will perform your song, and you lot can craft his or her vox exactly to your liking. You tin can lengthen notes, add vibrato effects, alter the pitch, and fifty-fifty use culling vox banks to change the overall tone of the voice. A Vocaloid can do things a homo vocalist can't. Miku, in detail, can accomplish incredibly loftier notes without losing her characteristic cute tone, or sacrificing range through the rest of the scale. Grappling the technology is the easy part. Injecting feeling takes talent.
The other element that gives Miku, and the other Vocaloids, virtual life, is the actor whose voice is synthesized in the commencement place. Hatsune Miku is voiced by Fujita Saki, just she's non the only one. In an illuminating Facebook post, Asakawa Yuu, who voices the Vocaloid Megurine Luka, described a recording session where she guided Fujita Saki, who does not speak English, through recording a recent update to Miku's English voice banking concern.
"When we recorded, information technology was important that we didn't only focus on the English pronunciation," she wrote on her Facebook page. "She had to be Miku while recording. And because the voice that Saki-chan uses to exist Miku comes from a different identify than where English comes from, I was careful to pay special attention to that. It'due south very important to Saki-chan to properly breathe life into Miku."
Long-term significance
This perfectly encapsulates what's so fascinating virtually the engineering science. Hatsune Miku'south voice was first digitized at least 10 years agone, but the significance wouldn't become apparent for some time. Today, as artificial intelligence becomes ever more than present in mainstream technology — from Siri and Alexa to autonomous cars and life-similar robots — the concept of animate life into a piece of software, and a virtual representation of that vox, is something we're going to run into more than often. Vocaloid helped start this revolution.
Hatsune Miku'southward appeal is heightened because she'south more than just some code and a phonation. Artist Kei Garou's wonderful original grapheme was blithe to perform live on stage. Crushingly, Hatsune Miku isn't an actual hologram, she's a 3D model created by multiple, and very expensive, projectors beaming her image onto a super wide bending screen. The engineering is rarely discussed, but on many occasions a Dilad screen has been used. This rear projection organization has a special multilayered screen to requite Miku her characteristic bright, 3D look, while avoiding light shining through and ruining the effect.
Vocaloids are evidence that people tin can connect, on a personal and emotional level, with something constructed just from lite and lawmaking. Whether y'all're into technology, science fiction, or both; that's incredibly heady, and a little frightening.
Discovery
On August 31, 2013, a few weeks after I beginning discovered Hatsune Miku and showed that commencement video to my friend, I paid to watch a rare alive stream of Magical Mirai, the almanac Vocaloid concert held in Nihon. This was really the first time I felt compelled to listen to music for pleasure. A lot of online searching soon revealed Hatsune Miku sung a lot of unlike musical genres, and her voice could be tuned in unique ways by different producers.
This was really the first time I felt compelled to listen to music for pleasure.
Those early days of discovering Hatsune Miku's music are divers by three songs. The epic, beautifully synthetic trance masterpiece Reverberations by Clean Tears, Aura Qualic's angelic Pagasa, 1 of the first songs I heard where Miku seemed to actually breathe, and Mitchie K's Believe. His ability to make Miku sound truly existent is staggering. Remember, we're talking virtually artists entirely using technology and their own talent to create incredible music and visuals here.
To many, feeling this way about songs may sound familiar, or even normal. For me, it was entirely abnormal. I'd never cared about music in this manner before, merely the feeling snowballed. I at present own a massive music library, go to live Hatsune Miku performances, and even attended a talk given by Hiroyuki Ito, CEO of Crypton Futurity Media, where he spoke nigh Miku and the cosmos of Vocaloid.
Miku'due south influence on me goes beyond Vocaloid. She prompted me to acquire Japanese, and to visit Nihon for the showtime time. She also indirectly introduced me to Japanese pop music and idols, another musical genre I at present adore. That has led me to attend my first ever real life concert (featuring real life people playing real life instruments), buy style too many CDs, and develop an unhealthy obsession with headphones.
If I never saw that video of a singing hologram, none of these things would take happened. Without Hatsune Miku and the musical world of Vocaloid, my life would be every bit it was before: Rather quiet.
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Source: https://www.digitaltrends.com/music/hatsune-miku-vocaloid-made-me-appreciate-music/
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